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Feature image of Photo of the day: Ann Hui’s “A Simple Life”

Photo of the day: Ann Hui’s “A Simple Life”

1 min read

1 min read

Feature image of Photo of the day: Ann Hui’s “A Simple Life”

This week’s photo theme is: Director’s Seat. Last month, well-known (male) Chinese film director Ding Taisheng made a controversial statement on Sina Weibo to the effect that “women can be great producers, but rarely directors.” (That’s a paraphrase from memory — his Weibo account, which had over 140,000 followers, has since been deleted.) In response, this week we’ll take a look behind the camera at the work of a few exemplary female filmmakers in China, past and present.

Ann Hui is a filmmaker based in Hong Kong. Born to a Chinese father and a Japanese mother in 1947, she has put out a diverse range of works via both film and television. Her unique exploration of individual “common people” living in the forgotten places of Hong Kong is often hauntingly touching, especially in later works such as A Simple Life (2012) and The Way We Are (2008).

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Feature image of Photo of the day: Ann Hui’s “A Simple Life”

Photo of the day: Ann Hui’s “A Simple Life”

1 min read

This week’s photo theme is: Director’s Seat. Last month, well-known (male) Chinese film director Ding Taisheng made a controversial statement on Sina Weibo to the effect that “women can be great producers, but rarely directors.” (That’s a paraphrase from memory — his Weibo account, which had over 140,000 followers, has since been deleted.) In response, this week we’ll take a look behind the camera at the work of a few exemplary female filmmakers in China, past and present.

Ann Hui is a filmmaker based in Hong Kong. Born to a Chinese father and a Japanese mother in 1947, she has put out a diverse range of works via both film and television. Her unique exploration of individual “common people” living in the forgotten places of Hong Kong is often hauntingly touching, especially in later works such as A Simple Life (2012) and The Way We Are (2008).

Cover image: MutantEggplant

Faed13eb14ea23df053d7983500766f0

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Feature image of Photo of the day: Ann Hui’s “A Simple Life”

Photo of the day: Ann Hui’s “A Simple Life”

1 min read

1 min read

Feature image of Photo of the day: Ann Hui’s “A Simple Life”

This week’s photo theme is: Director’s Seat. Last month, well-known (male) Chinese film director Ding Taisheng made a controversial statement on Sina Weibo to the effect that “women can be great producers, but rarely directors.” (That’s a paraphrase from memory — his Weibo account, which had over 140,000 followers, has since been deleted.) In response, this week we’ll take a look behind the camera at the work of a few exemplary female filmmakers in China, past and present.

Ann Hui is a filmmaker based in Hong Kong. Born to a Chinese father and a Japanese mother in 1947, she has put out a diverse range of works via both film and television. Her unique exploration of individual “common people” living in the forgotten places of Hong Kong is often hauntingly touching, especially in later works such as A Simple Life (2012) and The Way We Are (2008).

Cover image: MutantEggplant

Faed13eb14ea23df053d7983500766f0

NEWSLETTER

Get weekly top picks and exclusive, newsletter only content delivered straight to you inbox.

Faed13eb14ea23df053d7983500766f0

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Faed13eb14ea23df053d7983500766f0

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Feature image of Photo of the day: Ann Hui’s “A Simple Life”

Photo of the day: Ann Hui’s “A Simple Life”

1 min read

This week’s photo theme is: Director’s Seat. Last month, well-known (male) Chinese film director Ding Taisheng made a controversial statement on Sina Weibo to the effect that “women can be great producers, but rarely directors.” (That’s a paraphrase from memory — his Weibo account, which had over 140,000 followers, has since been deleted.) In response, this week we’ll take a look behind the camera at the work of a few exemplary female filmmakers in China, past and present.

Ann Hui is a filmmaker based in Hong Kong. Born to a Chinese father and a Japanese mother in 1947, she has put out a diverse range of works via both film and television. Her unique exploration of individual “common people” living in the forgotten places of Hong Kong is often hauntingly touching, especially in later works such as A Simple Life (2012) and The Way We Are (2008).

Cover image: MutantEggplant

Faed13eb14ea23df053d7983500766f0

NEWSLETTER

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Titillate your taste buds with coverage of the best food and drink trends from China and beyond

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An insider’s look at the intersection of fashion, art, and design

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Unpacking Chinese youth culture through coverage of nightlife, film, sports, celebrities, and the hottest new music

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